"I try to make images that feel familiar, relatable, and honest, photographs that invite people to see themselves reflected back."
George Koranteng is a visual storyteller and documentary photographer based in Accra, Ghana, and a member of the African Photojournalism Database by World Press Photo.
His work focuses on everyday Ghanaian life, ordinary moments that often go unnoticed but say a lot about who we are. George hopes his work will serve as a record for the next generation, offering an honest look at how people lived, moved, and made meaning in this period of Ghana’s history.
George Koranteng Danso - Ghanaian photographer
Outside of work, I spend my weekends taking photo walks along the beaches of Accra. The sound of the waves calms me, but it is also where I witness some of the most beautiful human connections, families, lovers, strangers, and horses sharing the same stretch of sand. It has become my sanctuary and a space that constantly feeds my creativity.
“At the heart of my photography is connection. I try to make images that feel familiar, relatable, and honest, photographs that invite people to see themselves, their communities, or their memories reflected back at them.”
My journey into photography really started around 2015, when Instagram was becoming a major creative space.
I spent hours looking at the work of Prince Gyasi, Bob Pixel, Nana Kofi Acquah, and other Ghanaian photographers whose images felt alive and intentional. That was my first spark of inspiration.
I began with simple phone photography, mostly nature and everyday scenes, before joining Capture Ghana as an intern.
That experience changed everything. It was where I first learned to handle a DSLR, understand light, and edit in Adobe Lightroom.
From there, my path naturally shifted towards humanitarian and documentary storytelling. I became more interested in people, context, and the meaning behind an image. That focus on human stories has shaped my work ever since.
"Documentary work is not rushed; you have to observe, breathe, and truly feel a moment before pressing the shutter."
I specialise in documentary photography. I was drawn to this niche because it forces me to slow down and be intentional about the images I make.
Documentary work is not rushed; you have to observe, breathe, and truly feel a moment before pressing the shutter. I love the process of composing scenes in a way that carries emotion and honesty.
Over time, my style has evolved from simply capturing what I see to understanding the deeper context of people and places.
I have become more patient, reflective, more focused on storytelling, using light, gesture, and atmosphere to create images that feel lived-in rather than staged.
At the heart of my photography is connection. I try to make images that feel familiar, relatable, and honest, photographs that invite people to see themselves, their communities, or their memories reflected back at them.
In recent years, my storytelling has expanded to explore themes around gender, identity, and governance, especially how these forces shape people’s lived experiences.
One of the moments I am most proud of is my debut solo exhibition this year, which was fully funded by the Embassy of France in Ghana. I had not planned to exhibit in 2025, but when the opportunity came, I seized it, and it became a major milestone in my journey.
The exhibition, titled Punching Barriers, told the story of a female boxer in Jamestown and explored themes of strength, identity, and resilience. It was incredibly well attended and deeply affirming to see people connect with the work in such a meaningful way.
That experience reminded me of the power of storytelling and gave me even more confidence to continue building long-term visual projects.
Balancing photography alongside a 9–5 job has been a challenge, but the biggest lesson I have learned is that photography is a long journey.
Consistency does not mean shooting every day; it means showing up with intention, even in small ways, and trusting that the work will evolve at its own pace.
I would love to collaborate with Francis Kokroko. His work has inspired me for years. Every time I view his images, I get goosebumps. There is a depth and thoughtfulness in the way he documents Ghanaian life that I truly admire. Working with him would feel like learning from someone who understands both the craft and the culture on a deep level.
54Ruum is an important space for visual artists across Africa. It creates room for photographers to share their stories, connect with one another, and build a stronger creative community across the continent. Platforms like this help amplify voices that may otherwise go unheard.
The photography and art space in Ghana has evolved in exciting ways. Social media has opened up a digital stage where creatives can share their work instantly and reach audiences far beyond Ghana.
There are many incredible photographers doing meaningful work and pushing the boundaries of visual storytelling. I am proud to be part of this growing, vibrant community.
“Consistency does not mean shooting every day; it means showing up with intention, even in small ways, and trusting that the work will evolve at its own pace."
Take pictures of everything. The more you shoot, the more you learn what truly moves you. Do not wait for the “perfect” moment; your voice and style will emerge through practice and curiosity.
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