Henry Konadu Denkriya, filmmaker and photographer based in Accra, Ghana

Henry KD is a documentary director and cinematographer based in Accra with over seven years of experience in film production. As the co-founder of HKOGH Films, a creative agency known for its impact-driven storytelling and carefully crafted visuals for NGOs, Henry has collaborated with organisations such as Gates Agricultural Innovations, FIFA, Bloomberg, Evonik, KUMBI Cocoa, and several other brands.

His extensive work on documentaries has given him a deep understanding of every aspect of the storytelling process. At his core, Henry is driven by a simple vision to build a creative community, produce visually powerful work, and tell stories that truly matter.

How would you describe yourself in a few sentences?

I am dedicated, collaborative, and detail-oriented, with a deep interest in using film to shed light on real issues and inspire positive change.

How did you first get into photography? Was there a specific moment, person, or inspiration that sparked your passion for capturing images?

My filmmaking journey began unexpectedly. At the time, I hadn’t been admitted into my preferred university, and I had no idea I would develop an interest in photography or film. My dad decided to enrol me in a film university, suggesting that I pursue it since it offered a degree programme.

What started as a reluctant step turned into a deep passion for visual storytelling. Over time, I discovered how film could be a tool for truth, empathy, and change, which has shaped the kind of stories I tell today and the path I continue to follow.

What type(s) of photography do you specialise in, and why did you choose this niche?

My work often explores social impact themes, community development, and human stories that highlight resilience, culture, and change. I’m drawn to stories about people overcoming challenges, innovative projects transforming local communities, and the intersections between humanity, environment, and progress.

Can you share the underlying themes or ideas that drive your photography?

The themes that drive my documentary work often centre on community, resilience, and social progress across Ghana and Africa. I’m drawn to stories that reflect how ordinary people and grassroots initiatives are creating change in areas like agriculture, education, and sustainable development. Working closely with NGOs has shaped my interest in stories that not only inform but also inspire action.

What's the one achievement or moment in your photography career that you're most proud of?

One of the moments I am most proud of in my documentary career was completing a project that highlighted the work of a local extension worker in sustainable agriculture for Gates Agricultural Innovations.

Seeing the impact of the film, how it brought visibility to the worker and the farmers’ stories and sparked conversations around sustainable practices, made me realise the true power of documentary storytelling. It reinforced my commitment to creating work that not only informs but also drives meaningful change.

What's the biggest challenge you've faced as a photographer, and how did you overcome it?

One of the biggest challenges I’ve faced as a documentary filmmaker is gaining access to communities and subjects in a way that builds trust while capturing authentic stories. It can take time for people to open up, especially when discussing sensitive or personal experiences.

I’ve overcome this by approaching every project with patience, empathy, and respect, spending time with the community before filming, and listening carefully to their perspectives. This approach not only helps me tell more honest stories but also strengthens the relationships that are essential to impactful documentary filmmaking. 

If you could collaborate with anyone, who would it be and why?

I would love to collaborate with photographers and filmmakers who are known for storytelling that combines strong visuals with social impact, such as Jakub Chlouba or Danny Gevirtz. Working with creatives like them would allow me to learn new approaches to crafting narratives that inspire change, while also pushing the boundaries of visual storytelling.

What are your thoughts on the 54Ruum platform?

54Ruum is a vital and much-needed space for African creatives. It offers a dynamic community that connects photographers and filmmakers across the continent, providing opportunities for collaboration, exposure, and growth.

How's the photography and art space in your country: how has it evolved in recent years?

The photography and art space in Ghana has evolved tremendously in recent years. There is a growing community of photographers, documentary filmmakers, visual artists, and creatives who are pushing boundaries and experimenting with new styles.

Social media and platforms like 54Ruum will make it easier for artists to showcase their work locally and internationally, giving African creativity more visibility. At the same time, galleries, exhibitions, and collaborative projects are creating more opportunities for artists to connect, learn, and reach wider audiences. While challenges like funding and infrastructure remain, the space is vibrant, dynamic, and increasingly recognised on a global stage.

If you could give one piece of advice to someone just starting their photography journey, what would it be?

My advice would be to stay curious and tell stories through your lens. When I started, I learned that photography is not just about capturing beautiful images, but about observing people and their environments and conveying authentic moments.

Practise consistently, experiment without fear, and pay attention to the stories behind your subjects. Over time, you’ll develop your own voice and perspective, which is what makes your work truly impactful.