Delvin Nyambo: Zimbabwean editorial photographer capturing street life, identity, and unapologetic self-expression

Delvin Nyambo is a multifaceted Zimbabwean-born photographer and director based in Johannesburg, South Africa. He is recognised primarily for his work in fashion, beauty, film, editorial, and digital art.

Having moved from Zimbabwe to South Africa at the age of three, he naturally developed a love for art that grew into something more. He describes the move as a blurry transition into a new world, which has spiritually and emotionally shaped him into the artist he is today.

Most individuals barely remember anything from their early childhood. Still, Delvin says he frequently receives visions and fragments from his toddler years, and he uses these memories to create his art.

The best description of him would be an “alien artist”, simply because he is not restricted to one form of expression, but is a blending of multiple art forms into one.

How did you get started in photography?

I viewed life differently growing up. The colours and scenes around me always felt like fantasies one would find in a cinematic film or photobook, and it was difficult to explain that to everyone around me. I was in my own world, and for so long, everyone around me tried to shut me out of that world until I held a camera for the first time.

I think it was around 2023 when a friend lent me his camera. Suddenly, it all made sense. I realised everything I felt, heard, and saw could be easily captured, and I had full control over it. That was the journey I had been searching for all along.

How would you describe yourself?

Describing myself is difficult. I am everything, yet nothing. I have always found it hard to describe myself because I am someone different every day. My identity is reflected by what I consume. One day I am a painter, the next a dancer, then a philosopher. I am all of these things and so much more, and that is what makes me unique and different.

To describe myself, I would not use words but everything around me — the people I have seen and laughed with, the music I have listened to, the buildings I have been in, and so much more. All these things are placed in a box that only I understand.

What are the main themes that inspire your photography?

Street-life photography. I enjoy using raw, chaotic locations for my projects. They showcase who I am and where I currently am in life. It is a way to connect not only with my audience but also with the very city that is building me. It is a mutual relationship.

In Johannesburg, standing out is what we are known for. Alternative looks and provocative energy are what I always aim to show in my work. It reflects who I am and what I believe in.

What moment in your career are you most proud of?

A project I worked on at the beginning of the year. I collaborated with a wonderful model named Dimpho, who is based in Johannesburg. It was her first time modelling, and she was also my first project of the year.

Our chemistry was incredible, and I realised how happy I was throughout the entire session. We covered four looks and four locations in just three hours. It was a two-person project — just me and her.

That project made me realise how much potential I had and how much I wanted this career to succeed. Whenever I feel discouraged, my work with her always reminds me never to stop creating.

What is the biggest challenge you've faced as a photographer?

Impatience. I always believed my work was amazing — and it is — but I was not getting the attention and recognition I expected.

It took me a long time to realise that it is not about recognition but about staying true to myself and allowing the art to tell its own story. Every artist has their own journey, and just because my peers were receiving their flowers before me did not mean I was unworthy of mine.

I slowed down and focused on myself. I made sure I never compromised who I was or doubted my abilities. Life feels much better when you do that.

What type of photography do you specialise in?

Fashion, beauty, film, editorial, and digital art. Photography, to me, is a completely different world. The ability to transform what the naked eye sees into something personal and meaningful to the artist is incredible.

Growing up, I was exposed to a lot of American television shows and films. Life in New York City was the dream I was sold. The fashionistas and bold characters always drew me in.

When I started my photography journey, I was intrigued by many artistic styles, so I was all over the place. I was capturing what I liked rather than what I felt.

My style has changed significantly. Close, intimate portraits, 35–55mm film aesthetics, and high-fashion editorial shoots surrounded by towering city buildings are some of the elements I am currently drawn to. They feel like me in a very unapologetic way.

What is your primary commercial niche?

Editorial Photography. I like to think of images as black-and-white drawings that need colouring in. It is not always about what camera you use or how you take the image, but more about how the image looks through your own eyes.

No image is bad unless it is overexposed to pure white! Play around, have fun with colours and shooting styles. The best work often comes from unexpected turns.

Which global brands, photographers, or industries do you feel your work aligns with most?

I do not think my work aligns with any specific brands or industries. I create art for audiences. It does not matter who I am shooting for or which brand is involved. Every story behind my art aligns with where it is positioned, regardless of the scenery. Why put myself in one box when I can create for all? Aligning my art with specific groups feels limiting.

How's the photography and art space in Zimbabwe?

I do not know much about the creative space in Zimbabwe because my entire life has been spent in South Africa. However, I think they are doing quite well. I would love to connect with other artists if I ever get the opportunity to visit.

What is one professional standard you never compromise on?

Preparation and punctuality. Intentionality is very important as an artist, and it requires thorough preparation. Research is essential for any project or concept you want to execute. Take your time and refine it until you truly believe in it before bringing it to life.

This provides clear direction for both you and your team, ensuring everyone is on the same page. Time management is equally important. Every minute lost to delays is potentially one great shot lost as well.