Katiso Hlabana: Mosotho fine art and portrait photographer capturing identity, heritage and the modern African narrative | 54Ruum Spotlight

Katiso Hlabana is a Mosotho visual storyteller whose work serves as a bridge between Lesotho’s deep-rooted traditions and its evolving contemporary i dentity. Based in the mountain kingdom, Hlabana specialises in environmental portraiture and landscape photography, capturing the quiet, resilient spirit of the "Kingdom in the Sky."

His practice is defined by a commitment to authenticity, often spending time in the rural districts to document the interplay between the Basotho people and the rugged terrain they inhabit.

Through his vision, Hlabana elevates everyday scenes into monumental narratives of heritage, land, and belonging. This vision has gained significant traction for its ability to translate local Basotho themes into a global fine art context.

This was evident in Selemo, his solo exhibition in 2022, named after the Sesotho word for "Year" or "Spring" (a reference to the Basotho New Year). The exhibition marked a landmark moment for Hlabana, exploring themes of cyclical time, agricultural heritage, and the spiritual connection between the Basotho people and their land.

The body of work presented was a masterclass in visual storytelling, documenting the transition of seasons and the enduring spirit of rural Lesotho. His reach extended into the South African art market through his participation in Proof (Group Exhibition, Cape Town), hosted by Momint.

The exhibition highlighted his place among an elite group of contemporary creators, showcasing his work to international collectors and art enthusiasts in one of Africa's premier art hubs.

In March 2026, Hlabana is set to exhibit at the Meshu Art Gallery in Maseru. Named in honour of the legendary Lesotho artist Meshu Mokitimi, the gallery represents a significant homecoming, placing his contemporary photography in conversation with the foundational legacy of Basotho fine art.

How would you describe yourself in a few sentences?

I like to think of myself as outgoing, a quality I am always cultivating because I love people and being around them, laughing and sharing stories.

I have often had my greatest ideas while socialising with people from all walks of life. Something unique about me is how I choose to perceive things. I relish diverting from the norm and challenging the status quo.

How did you get started in photography?

I always liked photography, but one person made me fall in love with it — a South African artist named TC Maila. His ability to capture raw emotion in photographs is unbelievable. Seeing his art, I knew right then and there that I wanted to create photography like his.

What type of photography do you specialise in, and why this speciality?

I enjoy fine art and portrait photography. I chose this path because it allows me to move beyond mere documentation and into the realm of storytelling and conceptual expression.

My style has evolved from capturing literal representations of my surroundings to a more intentional, curated aesthetic — focusing on lighting, mood, and the "fine art" quality that elevates a simple portrait into a timeless piece.

What are the main themes or ideas that inspire your photography?

I would go with identity, heritage, and the modern African narrative. I use my images to connect with others by creating a visual bridge between the past and the present. 

By sharing these stories through my lens, I invite the viewer to see the beauty in our shared experiences and the nuances of our culture that often go unspoken.

What accomplishment or moment in your photography career are you most proud of?

Hosting my solo exhibition quite early in my career. The exhibition garnered international attention from tourists worldwide, including the USA, Germany, and Canada.

What's the biggest challenge you've faced as a photographer?

The lack of infrastructure and mentorship within the local creative industry is a big challenge. In our country, we have only one professional art gallery. Overcoming this required a "do-it-yourself" mindset and building a community with fellow photographers.

I learned that consistency and self-education are vital; when the resources are not handed to you, you have to create your own path and stay true to your vision.

If you could collaborate with anyone, who would it be and why?

A collaboration with TC Maila is at the top of my list. His ability to capture raw, soulful African stories with such elegance is incredibly inspiring and aligns with the direction I take in my own work.

What do you think of the 54Ruum platform?

I believe 54ruum is a vital platform for African creatives. It provides a dedicated space to showcase our diverse perspectives and helps bridge the gap between local talent and a global audience. It is exactly the kind of infrastructure we need to celebrate African photography.

How's the photography and art space in Lesotho?

Well, I would say art and photography in Lesotho are currently in the midst of a "visual renaissance." We are moving away from stereotypical imagery, such as just mountains and horses, towards more provocative, contemporary visual arts.

There is a growing sense of communion among local photographers, where we groom and learn from each other to tell a more truthful representation of life here.

What advice would you give to someone starting in photography?

Start where you are with what you have. Do not wait for the perfect gear to begin telling your story. Focus on mastering light and understanding your "why." The technical skills will come with time, but your unique perspective is what will ultimately set you apart.